![]() Of the countless benefits of such a set-up, the real beauty of it is consistency: you can feed precisely the same tone into the mixing desk when playing live as you do when recording rehearsal room demos or cutting an album in the studio. Many hardware digital amps feature direct outputs with built-in speaker emulation and even, in some cases, sophisticated microphone emulation, allowing you to run your regular amp signal direct to your Digital Audio Workstation (DAW). Fortunately, the rapidly growing range and improving performance of digital guitar amplifier modelling technology has brought great recorded guitar tones within easy reach of the hobbyist. While there will be plenty of guidance and ideas you can take away and use in your own productions, the real aim is to equip you with the skills to develop your own creative solutions.įor many of us, and for reasons ranging from cost to living arrangements, it’s just not practical to record a real guitar amplifier in a real room with real microphones. ![]() Beginning with the fundaments, we’ll work through some simple scenarios and work our way up to advanced tweaks and tricks. ![]() Kicking off a new series of expanded, in-depth Basix tutorials, this is the first in a series of articles designed to guide you step-by-step through the process of setting up and using guitar amp simulation in your recordings. ![]()
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